Inverse Gravity Vehicle is a musical project by Deborah L. Knights & Jwa Hinton with vocal samples from Prof. J.R.R. Searl featuring a host of guest musicians including Ed Wynne (Ozric Tentacles) and  Keith & Steffe (Here and Now).  In their extra terrestrial sonic studio in the heart of Glastonbury they channel and co-create some of Avalons’ finest Ambient Auras and Spectral Sonic Soliloquies.

Jwa (aka Joie Hinton) is well known for his keyboard playing in the legendary Ozric Tentacles, Eat Static & Nodens Inctus.  His musical evolutionary styles have often created a sonic synaptic bliss and his resonant frequencies shine through here.  Along with Deborah L. Knights’s cryptic-mystic Vocals and neo-classical compositions their symbiotic sound weaves a fascinating tale of adventure and mystery.  Often equally challenging and engaging, this music is uniquely placed in its aural auric field and fuses the sonic sensibilities of ambient, freaky electro and experiemental music.  The essence of each of the pieces and songs draw the listener into the world of possibilities raised by the controversial New Energy Technologist, John Searl and his Inverse Gravity Vehicle.

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Spectralite unveil “Temple of Stars” (Omega.v1)

This ambient classic has been obscured from view only by the clouds of cosmic dust that prevail afore the arrival of the Photon Belt.  In such a space and time, a certain degree of chaos may reign.  With the blessings of the Universal Resonance we may hear the infinite magic from the Temple of Stars.

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This is an Omega.v1 release.  This is raw music, direct from the producers intergalactic studio to you.  Unmastered and still in development, this is a real opportunity to join in with the evolutionary flux and flow of modern music.  If you like what you hear, donate and watch as we aim to develop it even further.

Taking electroacoustic music to a new level of sophistication, this ethereal delight is already something of a connoisseurs classic on the Global ambient electronica scene, having been toured around Europe in previous seasons.  This is the Omega.v1 version of the album which may yet see another incarnation as the hyperspational mapping capabilities of this production team could yet be upgraded once we enter the Photon Belt.  Each piece on this modern hyperspace-age recording tells an epic tale. There are no set-to-repeat digital diamoporhisms here, this is pure geometric isomorphism incontrovertibly elucidating on the nature of existence.

Dubsahara is digital desert music from subsonic-saharan soundscapes. Crystalline technologies, maquam and dastgah are mashed and mixed in these audio adventures. With a whiff of exotic herbal incense and the dream of the next Oasis, the journeys are long and epic, but the vision upon arrival is one to behold a thousand sufi mystic saints.

Greg Hunter shares another perspective of his multi faceted musical personality.  In deep subsaharan bass zones the instrumentalists on mighty herbs are playing like dervishes, the frenzied Lila of a Gnawan all-night ritual, the heady sensuality of an arabian breeze under the date trees.  Dubsahara is an exotic evocative invocation, an invitation to sample the delights of the divine in Concordance.