Tag Archives: DSP

Wåveshåper – Empty Path

Deep in the Himalayan mountain range, a mystic sadhu opens his third ear and listens to the universal sound of om echoing through the cosmos.  Flowing down the ancient rivers and drifting slowly across the sands of time in a caranvanaseri, finally reaching the oasis as the sunsets.

All night Lila dances into trance as dervish songs resound and desert drums arrive to enchant the  bedouins as an all night trance unfolds in the moonlight as ancient sand creatures emerge from the desert sands, mechanistic,, insectoid filaments of geometric  structures weave patterns of chaos and fractal order out of the fabric of reality.

Hyperdigital frequencies that emerge from the rays of the morning sun, glistening in hyperspace like a shimmering holographic universe.  Deep in the cavernous halls of the subterranean kingdom of dubstep a new organic life form demonstrates the spiral matrix of consciousness that resides in terrestrial space from crust to core. Alien technologies channel the subterranean synaptic impulses….
Waveshaper - Empty Path
Heres a quote from the official Press Release:
Artist : Waveshaper Title : Empty Path Cat. No. : u000 Release Date : 19.1.14 Format : Digital Download
These precision tools of conscious metamorphic alchemy presented by waveshaper allow the 3 points of focus to align with the sonic structure in the field of hemispheric convergence. When the 3 points of focus are fully attuned then the frequency of the mind transforms into a state of emptiness. Greg Hunter and Hataken entered into a metatronic pyramid in Japan to open an active transmutative connection with the realms of the non-dualisic dimension of ku (emptiness)



Enter the Fuzzy Dimension – Kris Thrash Weston


Ever the rebel, Kris has decided to stick two fingers up to the mainstream crowdfunding platform and in classic punk stylee he is hosting it on his own site.  Loads of great reasons for the change like the one mentioned here, but you can read all about it on his site :

If everyone that has put into the Kickstarter moves their pledge to my own site, with the proceeds that have already come in to Kickstarter (without the 7000 pound fees) I can start work on this NOW. I don’t need everything up front to make this album, so I came to the idea that I could spread the funding over most of the time I’m actually working on the project. This is now turning into a 300+ day Crowd-Funding Project! So, sorry for changing this about like, but this is a better way of doing it, allows me to start quicker and pay less to already rich people. I hope it wont be too much of a pain changing over to my site.

Read more about Kris Weston’s reason for pulling the Kickstarter campaign and the relaunch : https://krisweston.com/index.php/log/

To see the NEW campaign, check his website out :


Enter the Fuzzy Dimension is the name of the KRISSTARTER campaign by Kris Weston aka Thrash.  He was an original member of THE ORB who flew that mystical sonic spaceship along with Alex Paterson through the first few legendary albums, including The Orb’s Adventures Beyond the Ultraworld, Aubrey Mixes: The Ultraworld Excursions,  U.F.Orb and numerous other Orb related remixes.  His sonic contribution to their mystic Melting pot of sound was magical and unique. Having been abducted by sonic surfing aliens for a decade (or something!!) he now invites you to get involved in his new project. So tune into this broadcast by his alien kidnappers and join in with a pledge for new music :)))

Enter The Fuzzy Dimension from Kris Weston on Vimeo.

He is an accomplished Producer, Remixer and Engineer and as evidenced in his numinous releases, he has all the talent required to produce something epic in sonic form.  Go check out his list of remixes on Discogs.com and dig out some of the awesome mixes he has worked on.

Check out this hour long interview with Kris from Resonance FM :

We cannot urge you enough to pledge to the cause.  Making music is actually an exciting procerss folks, the process of its creation cannot be tamed by commerce, so let the ambition of producing art in modern grandeur and aspiration of vision burst forth from our collective consciousness and support Kris in this Noble / Crazy / Inspired quest.  Head over to Kickstarter and check out his campaign, the possibilities are manifold.  His record speaks for itself and the new frontiers of crowdfunding promise to make music exciting again…  Kris Weston - Eyebleeder - Sangita

Explore the depths of an Audio Anarchists Mind  @ www.krisweston.com

6 sonic selections of global neo-psychedelic music

There is a whole world of music out there on the INTERWEBS.  We are constantly amazed at the wonderful sounds being produced by our fellow sound surfers and dream matrix telemetrists.   The global neo-psychedelic scene has many aspects and here we want to share a selection of music from 6 of our preferred artists music.  Artists featured here are from across the Globe. Enjoy!






http://interchill.bandcamp.com/album/the-invisible-conquest read more »

Cloud Shaped by Metasurfing

Metasurfing = Dubsahara = Evolution in metamorphose agglutinous phonemes.   In 1999 when this album was produced, only a handfull of sonic surfers had caught onto a new wave of sound. Granular synthesis is arguably the latest form of synthesis in the relatively short history of Synthesized sounds which evolved because raw computing power had allowed for high level Digital Signal Processing (DSP) to occur in realtime.

Metasurfing aka Greg Hunter was one of the sonic pioneers of Granular synthesis who produced what we know as the first Granular Synthesis Fusion album back in 1999.  The exceptional fusion of previously unheard granulated sounds and processed global rhythms & melody made for a novel Sonosphere that remain a uniquely enchanting experience .  It has long been on the Sangita Sounds playlist and we are in grains of delight at the re-release of this modern classic.


Listen to the complete Album here :-

An excerpt from an article on Granular Synthesis:-

Granular synthesis is a catch-all term for a number of different audio systems that work by using tiny snippets of sound that can be manipulated individually and are recombined to generate the final output. The majority of granular systems available use audio files/samples as their raw material. Samples are sliced up (behind the scenes) into a series of tiny sections, each usually between one 100th and one 10th of a second in duration. Each slice is known as a ‘grain’, and a sequence of grains is called a ‘graintable’. If the software made up a graintable which played back all the grains extracted from a given sample in their original sequence and at the original speed, then you’d hear the original sample reproduced. If the software played the sequence back more slowly, gaps would appear between the slices, so the current slice in the graintable is usually looped. Played back more quickly, each grain overlaps with the next one, or some grains get skipped depending on how the software works. To avoid clicks and glitches, each grain is faded in and out with a volume envelope, a process known as ‘smoothing’.

Taken from Sound on Sound Magazine :-


Buy the album, Support the Artist :-