Category Archives: Ambient

Cloud Shaped by Metasurfing

Metasurfing = Dubsahara = Evolution in metamorphose agglutinous phonemes.   In 1999 when this album was produced, only a handfull of sonic surfers had caught onto a new wave of sound. Granular synthesis is arguably the latest form of synthesis in the relatively short history of Synthesized sounds which evolved because raw computing power had allowed for high level Digital Signal Processing (DSP) to occur in realtime.

Metasurfing aka Greg Hunter was one of the sonic pioneers of Granular synthesis who produced what we know as the first Granular Synthesis Fusion album back in 1999.  The exceptional fusion of previously unheard granulated sounds and processed global rhythms & melody made for a novel Sonosphere that remain a uniquely enchanting experience .  It has long been on the Sangita Sounds playlist and we are in grains of delight at the re-release of this modern classic.

Metasurfing-Square

Listen to the complete Album here :-

An excerpt from an article on Granular Synthesis:-

Granular synthesis is a catch-all term for a number of different audio systems that work by using tiny snippets of sound that can be manipulated individually and are recombined to generate the final output. The majority of granular systems available use audio files/samples as their raw material. Samples are sliced up (behind the scenes) into a series of tiny sections, each usually between one 100th and one 10th of a second in duration. Each slice is known as a ‘grain’, and a sequence of grains is called a ‘graintable’. If the software made up a graintable which played back all the grains extracted from a given sample in their original sequence and at the original speed, then you’d hear the original sample reproduced. If the software played the sequence back more slowly, gaps would appear between the slices, so the current slice in the graintable is usually looped. Played back more quickly, each grain overlaps with the next one, or some grains get skipped depending on how the software works. To avoid clicks and glitches, each grain is faded in and out with a volume envelope, a process known as ‘smoothing’.

Taken from Sound on Sound Magazine :-

http://www.soundonsound.com/sos/dec05/articles/granularworkshop.htm

Buy the album, Support the Artist :-

http://dubsahara.bandcamp.com/

Hataken – Ascension

Hataken is an Electronica producer from Japan.  His sprawling Ambient, epic 6 hour long live sets are like driving thru Tokyo at 3am, the endless pulses of light merging and synchronising with some unseen, immutable force bubbling away under the layers of reality.  The neo-shamanic spaces that he conjures up from his assemblage of analogue music boxes are both engaging and reflective.  A new album, entitled ASCENSION will emerge as the process of his works are assembled by The Konspiracy Group .

In Hataken’s own words “From the early 90’s, I realized about ascension. It is to heal, awaken, and gain confidence for life, so that I believe in myself and use the full specifications of myself. Life is what we choose, and sound can lead our thoughts. So, I simulate many experiences by music to realize what is important in life. This is why I make music for people! Ascension is very close to us and subtle. It is all around us, and manifests in natural ways if we are open. Surprising things happen which release us from the gravity of our usual life. When we tune in to these subtleties, our hopes, thoughts, and imagination change with this new perception of value.”

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Dubsahara : Cameltronica

Arabic dub is an age old sonic concept, whose sound echoes through time round sandstorm laden pyramids. Dubsahara practices this ancient form of Cameltronica in fine style.  His recent set at Sonica Festival was a masterful excursion through the ultraworlds, navigating symphonic sinewaves in etheric motion.  It was a study in fluid dynamics and inference patterns of fractal geometry skillfully fused with traditional arabic melodies.

Enjoy more sonic incense from the master of desert mashups:-
Isotantric by dubsahara

Khaleeji Dub (first build) by dubsahara

Camel Straw Syndrome by dubsahara

Human Shaped by dubsahara

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Inverse Gravity Vehicle : Magnetizer

Inverse Gravity Vehicle is a musical project by Deborah L. Knights & Jwa Hinton with vocal samples from Prof. J.R.R. Searl featuring a host of guest musicians including Ed Wynne (Ozric Tentacles) and  Keith & Steffe (Here and Now).  In their extra terrestrial sonic studio in the heart of Glastonbury they channel and co-create some of Avalons’ finest Ambient Auras and Spectral Sonic Soliloquies.

Jwa (aka Joie Hinton) is well known for his keyboard playing in the legendary Ozric Tentacles, Eat Static & Nodens Inctus.  His musical evolutionary styles have often created a sonic synaptic bliss and his resonant frequencies shine through here.  Along with Deborah L. Knights’s cryptic-mystic Vocals and neo-classical compositions their symbiotic sound weaves a fascinating tale of adventure and mystery.  Often equally challenging and engaging, this music is uniquely placed in its aural auric field and fuses the sonic sensibilities of ambient, freaky electro and experiemental music.  The essence of each of the pieces and songs draw the listener into the world of possibilities raised by the controversial New Energy Technologist, John Searl and his Inverse Gravity Vehicle.

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A new favorite: Galactivate by Erothyme http://t.co/LWIg9T29Ta on #SoundCloud